Their House
Small exploratory concertina books concerning a house occupied by the same family for more than 60 years, before finally being dismantled and sold.
Digital prints on paper.
Sizes: 10 x 21 cm
Books
Standen
An altered book inspired by the Charlotte Perkins Gilman book, The Yellow Wallpaper, about the mental breakdown of a woman forced into domestic seclusion. The original book was a 1979 National Trust publication on Standen House, an Arts & Crafts home in Sussex decorated throughout with William Morris wallpapers. The pages are slowly taken over in prints and form by one of the wallpapers.
Size: 14 x 21 cm
Country House Book
A Reconfigured Country House
A book, altered from its original configuration as The English Country House, 1943 by Ralph Dutton, that plays on the relationship between the architecture of the buildings and the architecture of the page.
Size: 12 x 10 cm
Courtship (tissues)
- Courtship is a story about the possibility of romance and passion at the lipstick counter. Released from their context, these words – acquired from the commercial repertoire of lipstick colours – form a new narrative of desire.
Courtship (book)
- Courtship is a story about the possibility of romance and passion at the lipstick counter. Released from their context, these words – acquired from the commercial repertoire of lipstick colours – form a new narrative of desire.
Quiet Light
Quiet Light was installed at the Postgraduate Show, Camberwell College of Arts UAL, July 2015.
NoWhere
NoWhere was presented as a multi-media installation at the Postgraduate Show, Camberwell College of Arts UAL, July 2015. The book NoWhere was acquired by the College for its collection of Artists’ Books.
Home is the core of place experience; it both contains us and is within us. Our intimate relationship with domestic space is imprinted upon us at an early age and stays with us throughout our lives, the interior memories continuing to interact with external reality. The book, film and wall text explore the interaction between place and memory, examining what is retained and what is lost in recollections of home.
Pebbles: Pea, Plum, Potato
- These works are a response to my first visit to Chesil Beach, where the sea has perfectly graded one hundred million tonnes of shingle over 18 miles: from pea-size gravel in the west to potato-size pebbles in the east.
Pebbles: Fieldwork
- These works are a response to my first visit to Chesil Beach, where the sea has perfectly graded one hundred million tonnes of shingle over 18 miles: from pea-size gravel in the west to potato-size pebbles in the east.
Pebbles: Notes from Chesil Beach
- These works are a response to my first visit to Chesil Beach, where the sea has perfectly graded one hundred million tonnes of shingle over 18 miles: from pea-size gravel in the west to potato-size pebbles in the east.
